On
Friday night a smiling
Jools Holland
arrived onto the Plymouth Pavilions stage, that is the signal that the man
is in the mood, and I knew that the capacity crowd and myself were in for
yet another special Jools Holland experience.
As
ever Jools was backed by his fantastically gifted rhythm and blues
orchestra, the 16 strong band were in sublime form, everyone of them getting
time front and centre to showcase their individual talents, but always
staying as a single unfeasibly tight unit. Jools himself was in sublime
form, producing the driving piano blues sound that took no time at all in
persuading people to leap from their seats and boogie. The massive screen at
the back of the stage alternated between live shots of the onstage action,
and various film clips both real and animated, that complimented perfectly
the music being performed at the time. Jools switched from piano to
harpsichord to guitar with such effortless ease, to give his musical skills
various on stage outlets.
First guest singer of the night was Louise Marshall, who had been on backing
vocals duty up to that point, and proved to be more that capable of holding
the spotlight in her own right. Next up the massive vocal talents of Ruby
Turner, whose voice possesses a blend of power and subtlety that epitomises
the blues sound, got a fantastic reception for her own vocal spot.
Whether behind keyboards or on guitar, playing Jazz, Ska, Blues or boogie,
Jools leads the orchestra to unbelievable levels of performance quality, all
that was left was to produce the extra special guest in the form of the
Lulu, who, looking and sounding amazing, came, saw and conquered the crowd
in an instant, she finished her stint with an unbelievable rendition of
Shout that got the whole crowd singing.
With so many strings added to his bow with television and music work, how
Jools and the Orchestra fits in around one hundred shows a year is a
mystery, but having now witnessed Jools four years running, I cant wait till
he returns again.
Review -
Greg Taylor